Downloaded from YTS.MX
Official YIFY movies site: YTS.MX
>> AH.
>> GOOD MORNING, MR. HARDY.
>> AH, GOOD MORNING, MR. KINSEY.
I WOULD LIKE TO SEE MY GENERAL
MANAGER, MR. LAUREL.
>> ALL RIGHT, MR. HARDY.
>>
OOH! OOH!
WHERE HAVE YOU BEEN?
>> I WAS IN THE SAMPLE ROOM.
>> SIT DOWN.
TAKE DOWN MY ACCEPTANCE SPEECH.
"FRIENDS, FELLOW CITIZENS, AND"
UH...
AND, UH...
"COLLEGIANS.
AND SO FORTH, AND SO FORTH, AND
SO ON."
UH, PUT THAT IN BRACKETS.
"AND SO FORTH."
>> LISTEN, KID, I CRAVE A LOT OF
SERVICE.
>> OH, I BEG YOUR PARDON.
DID YOU WISH TO SEE SOMEONE?
>> SAY, WHAT DO YOU THINK I CAME
TO THIS JOINT FOR -- TO TEST OUT
YOUR ACOUSTICS?
I WANT TO SEE MR. HARDY, AND I
WANT TO SEE HIM RIGHT AWAY, YOU
GET ME?
>> YES, MA'AM.
>> SAY, WHAT ARE YOU LOOKING
AT?!
COME ON! GET BUSY!
>> A LADY'S HERE TO SEE YOU,
MR. HARDY.
>> TUT, TUT, TUT, TUT!
I'M TOO BUSY.
IN THE MIDST OF MY CAMPAIGN, I
CANNOT SEE ANYONE!
>> YES, SIR.
>> NOW READ WHAT YOU HAVE.
>> SO, MR. HARDY'S TOO BUSY TO
SEE ME, IS HE?
HE'S IN CONFERENCE, IS HE? HA!
DON'T MAKE ME LAUGH!
HE'LL SEE ME!
>> "NO, NO, NO," APOTHECARY.
>> "IT IS MY AIM..."
>> "MY AIM..."
>> "...TO KEEP OUR CITY
CLEAN..."
>> "...CITY CLEAN..."
>> "...OF ALL VICE."
APPLAUSE.
THAT'LL OPEN THEIR EYES.
>>
JUST THE SAME OLD APPLE-CHEEKED
BOY.
>> YES...
CLOSE THE DOOR.
>> SCRAM!
>> AFTER ALL THESE YEARS.
WHAT IS IT YOU WANT?
>> LADIES MUST LIVE.
>> NO, SIR.
NOT ONE PENNY.
NOT EVEN A NICKEL!
NOT ONE KOPECK.
AND FURTHERMORE...
HA HA HA HA HA!
GET OUT.
GET OUT!
>>
>> OH!
>> WELL? HOW ABOUT IT?
>> YOU CAN'T BLUFF ME.
THAT WAS IN MY GILDED YOUTH, MY
PRIMROSE DAYS -- BEFORE I WAS
MARRIED.
>>
DOESN'T MEAN A THING.
YOU HAVEN'T CHANGED A BIT, BABY.
>> WHY, THIS IS PREPOSTEROUS --
AN OUTRAGE!
YOU CAN'T GET AWAY WITH IT!
>> OH, NO?
OH, WOULDN'T THAT LOOK GRAND ON
THE FRONT PAGE?
>> OHH --
>> OH, I CAN SEE THE HEADLINES
NOW.
"WRONGED WOMAN COMES OUT OF THE
PAST TO ACCUSE LEADING CITIZEN."
>> OH.
>> AND WITH YOU RUNNING FOR
MAYOR?
PERFECT!
>> OH, GABRIEL, BLOW YOUR HORN.
YES, MR. HARDY?
>>
GET OUT OF HERE!
GO ON, GET OUT OF HERE!
IT'S A MISTAKE!
GET BACK TO YOUR DESKS AND GO TO
WORK!
LISTEN.
I'M A MAN OF DECISIONS, AND I'VE
MADE ONE.
I'LL MEET YOU TONIGHT AT 7:00
AND MAKE A SETTLEMENT -- A FINAL
SETTLEMENT.
>> THE MAYOR IS HIMSELF AT LAST.
NOW YOU'RE TALKING.
>> WHY, GOOD MORNING,
MRS. HARDY.
>> HELLO, DEAR.
BY THE WAY, HOW'S YOUR MOTHER?
>> OH, SHE'S JUST FINE, THANK
YOU.
>> Hey! The wife!
>> OH!
>> THIS IS INSANE!
WHAT'S THE BIG IDEA?!
WHY ARE YOU THROWING ME AROUND
FOR?!
>> OH!
>> WHAT'S THE BIG IDEA?!
>> OH, I JUST LOVE...
>> OLIVER, DARLING!
OLIVER, DARLING.
>> HELLO, HONEY.
>> I JUST DROPPED IN, DEAR, TO
TELL YOU I'M GIVING A DINNER
PARTY TONIGHT AT 7:00.
I INVITED THE JUDGE AND HIS WIFE
AND ALL THOSE PEOPLE THAT'LL BE
SO HELPFUL TO YOU IN YOUR
CAMPAIGN.
>> WELL, YOU WON'T BE ABLE TO
GO.
>> YOU WON'T BE ABLE TO GO?
>> UH, HE MEANS, DEAR, THAT WE
WERE WORKING LATE TONIGHT, AND,
UH, W-WE -- WELL, I'LL BE RIGHT
THERE.
>> AND HOW IS MRS. LAUREL?
>> OH, FINE, THANK YOU.
>> I'D LOVE TO MEET HER
SOMETIME.
>> NEITHER DO I, TOO.
>> U-UH, NOW, SWEETHEART, IF
YOU'LL COME, I'LL OPEN THE DOOR
FOR YOU.
>> WHY, OLIVER.
>> MERRY CHRISTMAS, SWEETHEART.
>> CHRISTMAS?
BUT, OLIVER, IT'S ONLY JULY.
>> OH I-I KNOW.
I-IT'S ONE OF THE PLANKS OF MY
PLATFORM -- DO YOUR CHRISTMAS
SHOPPING EARLY.
>>
JUST THE SAME LITTLE
APPLE-CHEEKED BOY.
OH, ISN'T THAT BEAUTIFUL?
I MUST SEE HOW IT LOOKS.
>> OHHHHHHHHH!
OH!
>> OH, IT'S LOCKED.
>>
>> WHERE'S THE KEY?
>> YES, WHERE IS THE KEY?
OHHHHH!
>> OH, THERE IT IS.
>> SO IT IS.
>> OH, ISN'T IT BEAUTIFUL?
>> Y-YES. IT IS LOVELY, DARLING.
>> OH, OLIVER, YOU'RE SUCH A
DARLING!
OH, ISN'T THAT --
>> NOW, IF YOU'LL JUST GO.
IT'S PRETTY -- VERY PRETTY.
>> OLIVER, DARLING.
GOODBYE, DADDY, AND DON'T
FORGET -- 7:00 SHARP.
>> I WON'T, DEAR. GOODBYE.
>> SAY! WHAT'S THE BIG IDEA?!
>> I'M SORRY.
I HAVE ANOTHER APPOINTMENT.
WE'LL HAVE TO CALL THE WHOLE
THING OFF.
>> OH, IS THAT SO?
WELL, THERE'S WHERE I LIVE.
YOU BE THERE AT 7:00, OR ELSE!
>> ALL RIGHT.
>>
>> WHAT ABOUT HER FUR?
>> Shh!
>> YES. WHAT ABOUT IT?
>> WELL, WHAT ABOUT IT?
>> OH, WELL.
THAT'S JUST ANOTHER LITTLE ITEM
WE'LL TAKE UP AT 7:00.
GOODBYE.
>> WELL...
>> HERE'S ANOTHER NICE MESS I
GOT YOU INTO.
>> YES, AND YOU'RE GONNA GET ME
OUT OF IT.
HERE.
GO OVER TO HER APARTMENT AND
KEEP HER ENTERTAINED, AND I'LL
TRY TO GET THERE LATER.
>> WHAT ABOUT MY WIFE?
>> CALL HER UP AND TELL HER
YOU'RE WORKING.
>> YOU DON'T KNOW MY WIFE.
SHE WOULDN'T BELIEVE THAT.
>> WELL, IF SHE WAS DUMB ENOUGH
TO MARRY YOU, SHE'D BELIEVE
ANYTHING.
COME HERE.
>> FAR BE IT FOR ME,
MRS. LAUREL, TO TALK ABOUT
ANYONE, BUT DON'T TRUST ANY MAN.
I'VE HAD FIVE OF THEM, AND I
KNOW.
>> PARDON ME JUST A MOMENT.
HELLO?
OH, HELLO, STANLEY, DEAR.
>> I WON'T BE HOME FOR DINNER,
MAMA.
>> WHO SAYS SO?!
>> MR. HARDY.
VERY IMPORTANT BUSINESS.
YEAH.
HE'S IN A JAM.
YEAH --
>> HELLO? MRS. LAUREL?
THIS IS MR. HARDY.
UH, I'M SORRY, BUT IT'S
IMPERATIVE -- POSITIVELY
IMPERATIVE THAT STANLEY WORKS
TONIGHT.
SOMETHING TO DO WITH MY
CAMPAIGN.
>> IS THAT SO?
WELL, I DON'T CARE ANYTHING
ABOUT YOUR CAMPAIGN.
LISTEN.
YOU TELL HIM FOR ME THAT IF HE
ISN'T HOME FOR DINNER, I'LL
BREAK HIS ARM!
>> UH, THANK YOU SO MUCH FOR
YOUR COOPERATION.
GOODBYE.
THERE YOU ARE. NOTHING TO IT.
>> DID SHE SAY I COULD STAY OUT?
>> WHY, CERTAINLY.
AND FURTHERMORE, SHE SAID THAT
AS LONG AS YOU WERE WITH ME, YOU
COULD GO AS FAR AS YOU LIKED.
NOW, YOU GO OVER TO THE
APARTMENT AND KEEP THIS
TROUBLEMAKER IN A GOOD HUMOR
UNTIL I CAN GET THERE.
YOU KNOW -- GET ORGANIZED.
WHAT ARE YOU GONNA DO?
>> I'M GOING TO CALL AND THANK
MAMA.
>> OHHHHH!
GET OUT.
>> OH, MARIE?
>> YES, MADAM?
>> WHEN YOU LET HIM IN, BEAT IT.
>> YES, MADAM.
WON'T YOU STEP IN?
>> AH, JOHNNY ON THE SPOT --
PROMPTLY AT 7:00.
WHAT ARE YOU DOING HERE?!
>> MR. HARDY SENT ME OVER.
HE TOLD ME TO GET ORGANIZED.
>> HE WHAT?!
>> HE TOLD ME TO KEEP YOU BUSY
SO YOU WOULDN'T ANNOY HIM.
>> OH.
HE'S TRYING TO PUT ONE OVER ON
ME, IS HE?
WHERE IS HE?
>> HE'S HOME.
>> OH.
WHAT'S HIS NUMBER?
>> I WON'T TELL YOU.
>> OH, YOU WON'T TELL ME, HUH?
>> NO.
>> OH, YES, YOU WILL.
>> OH, NO, I WON'T.
>> OH, YES, YOU WILL!
>> YOU CAN'T BLUFF ME.
>> YOU'LL TELL ME HIS NUMBER!
>> I WON'T!
>> YOU WILL TELL ME HIS NUMBER!
>> NO!
>> WHAT'S HIS NUMBER?!
>> ABSOLUTELY NO!
>> WHAT IS HIS NUMBER?!
>> GRANITE 3648!
>> THANK YOU.
GIVE ME GRANITE 3648.
>> OH, FRANK, DEAR, TELL THE
FOLKS THE STORY ABOUT THE MAN
WITH THE PAST.
>> OH!
>> YES, MA'AM.
JUST HOLD THE WIRE.
EXCUSE ME, MR. HARDY.
YOU'RE WANTED ON THE TELEPHONE.
>>
TELL THEM I'M ENGAGED.
>> SHE SAYS IT'S VERY IMPORTANT.
>>
PARDON ME, PLEASE.
JUST A MOMENT.
EXCUSE ME. I'LL BE RIGHT BACK.
HELLO?
>> WELL, YOU WALLEYED PIKE,
WHAT'S THE BIG IDEA OF SENDING
THIS DUMBBELL OVER TO ME?
YES, YES, I KNOW, BUT GET THIS.
IF YOU'RE NOT OVER HERE RIGHT
AWAY, I'M COMING OVER TO THAT
JOINT OF YOURS AND PULL OFF THE
FRONT DOOR!
>> Shh! I've got company.
As soon as I can get away, I'll
come right over.
Don't worry.
Everything's gonna be all right.
>> WELL, IT BETTER BE ALL RIGHT!
AND MAKE IT SNAPPY!
SHUT UP!
>>
>> DO YOU MIND IF I SMOKE?
>> I DON'T CARE IF YOU BURN UP!
>> DOESN'T SHE PLAY BEAUTIFUL?
>> OH, PERFECTLY BEAUTIFUL.
>> WELL, JUDGE, WHAT ABOUT A
NICE CIGAR?
>> I WOULD LOVE IT.
>> I KNEW YOU WOULD.
JUST A MOMENT.
NOW, WHERE ARE THOSE CIGARS?
IF YOU'LL EXCUSE ME, I'LL RUN
OUT AND GET SOME.
>> OH, DON'T TROUBLE, MR. HARDY.
>> WHY, IT'S NO TROUBLE AT ALL.
IT'S A PLEASURE.
IF YOU'LL EXCUSE ME, DARLING,
I'M GOING OUT TO GET SOME
CIGARS.
>> DON'T BE LONG, DEAR.
>> OH, I WON'T.
>> OH!
>>
HERE YOU ARE, JUDGE -- MY OWN
PRIVATE STOCK.
>> THANK YOU, MR. HARDY.
THANK YOU.
>> OH, PARDON ME.
>> HELLO?
>> OH!
OH, HOW DO YOU DO, MRS. HARDY?
I WANT TO TALK TO YOUR HUSBAND.
LIST-- GIVE ME THAT PHONE!
>> UH, PARDON ME, DEAR.
JUST A MOMENT. EXCUSE ME.
HELLO?
>> HEY, OLLIE!
YOU'LL HAVE TO HURRY!
I CAN'T GET ORGANIZED!
>> OH! ALL RIGHT!
>> WELL, WELL, WELL, WELL, WELL,
WELL.
GEE, IT'S GREAT TO HEAR FROM YOU
AGAIN.
YES.
I'LL BE AROUND AND SEE YOU
TOMORROW.
GOODBYE.
AN OLD SCHOOLMATE OF MINE.
WE USED TO ROOM TOGETHER.
U-UM, I THINK WE'D BETTER GO IN
AND SEE THE GUESTS.
>> HOW ABOUT SINGING ONE OF YOUR
OLD SONGS, MR. HARDY?
>>
WELL, THE PIPES ARE NOT JUST
WHAT THEY USED TO BE.
>> OH, DO, MR. HARDY.
YOU ARE SO IMPRESSIVE.
>> YES. DO SING, OLIVER.
YOU'RE SO IMPRESSIVE.
>> OH!
WELL!
>>
>> THAT'S LOVELY, MR. HARDY.
HOW ABOUT ANOTHER?
>>
>> HELLO!
>> OHHHHHH!
>> HEY, OLLIE!
>>
>> THINK UP A STORY!
SHE'S ON HER WAY OVER, AND I
CAN'T -- CAN'T STOP HER!
>> OH!
WRONG NUMBER!
ISN'T THAT ANNOYING?
>>
>> YOU CAN'T GET OUT OF HERE!
>> WHAT DO MEAN I CAN'T GET OUT
OF HERE?!
OPEN THIS DOOR!
>> I WON'T OPEN IT!
>> YOU OPEN THIS DOOR!
>> I WILL NOT OPEN THAT DOOR!
>> YOU CERTAINLY WILL!
>> SEE? YOU CAN'T GET OUT.
>> ALL RIGHT.
I'LL USE THE OTHER DOOR!
WELL, YOU CERTAINLY CAN'T!
NOT --
GET AWAY FROM ME!
>> YOU CAN'T GO, I TELL YOU!
>> DON'T TELL ME I CAN'T GO!
LET ME OUT OF HERE!
WHAT --
LISTEN!
I'M GOING OVER TO HARDY'S HOUSE
IF IT'S THE LAST THING I DO!
DOWN!
>> MM-HMM.
JUST AS I EXPECTED.
SO, YOU'RE GOING OVER TO HARDY'S
HOUSE, ARE YOU?
YOU'RE GOING TO HAVE A WILD
PARTY, ARE YOU?
YOU LITTLE MONKEY!
I'LL TELL YOUR WIFE!
>> OH!
YOU'RE GETTING DIRTY, HUH?
TRYING TO BREAK MY NECK?
WELL, YOU CAN'T STOP ME!
I'M GOING TO HARDY'S!
GIVE ME THAT KEY.
YOU GIVE ME THAT KEY!
GIVE IT! GIVE IT TO ME!
>> I WILL NOT!
>> YOU WILL, TOO!
YOU'LL GIVE ME THAT KEY!
GIVE ME THAT KEY!
>>
>> COME HERE!
GIVE ME THE KEY!
GIVE ME THAT KEY!
>> OH!
>> YOU GIVE ME THAT K--
UNGH! GIVE ME THAT KEY!
WHY, YOU GIVE ME THAT KEY!
AH! AH!
>> I'LL TELL YOUR WIFE!
>>
>> DON'T TOUCH ME, YOU
BLUEBEARD!
OH! OH!
>>
>> I'LL FIX YOU!
AAH!
OH!
>> WELL?
>> I JUST SAW YOUR HUSBAND WITH
A WILD WOMAN.
>> OH!
>> WENT OVER TO HARDY'S HOUSE TO
MAKE WHOOPEE!
>> OH, HE HAS, HAS HE?!
>> I KNEW THIS WOULD HAPPEN.
>> CHASING AROUND, IS HE?
DO YOU KNOW WHERE HARDY LIVES?
>> SURE.
>> WELL, YOU STAY HERE AND PHONE
FOR AN AMBULANCE!
OH!
I'M NOT HOME!
>> I WANT TO SEE MR. HARDY.
>> HE'S NOT HOME, MADAM.
>> THANK YOU!
>> D'OH!
>> OOH!
U-UH, MEET MR. AND MRS. LAUREL.
HOW DO YOU DO?
>> OH, MRS. LAUREL, I'M SO HAPPY
TO MEET YOU.
WON'T YOU STAY AWHILE?
>> NOTHING WOULD GIVE ME GREATER
PLEASURE.
>> MAY I HAVE YOUR WRAP?
>> CERTAINLY.
>> OHHHHHHH!
OOF!
>> IF YOU'LL EXCUSE US,
MRS. HARDY, WE'LL BE GOING.
>> I THINK SO, TOO.
>> OH, I'M SO SORRY, JUDGE.
MUST YOU LEAVE SO SOON?
EXCUSE ME, PLEASE.
>> Oh!
>> GOODBYE, MRS. HOLLIDAY.
GOOD NIGHT, MR. HOLLIDAY.
>> GOOD NIGHT, MR. HARDY.
>> HOW LOVELY THAT YOU CAME WITH
US.
>> CERTAINLY.
>> OH!
GOOD NIGHT, DEAR.
>> OH!
>>
>> GOODBYE, BOTH.
>> GOOD NIGHT, MY DARLING.
>> WE MUST GET TOGETHER
SOMETIME.
>> YOU LADIES CAN MAKE THE
ARRANGEMENTS.
>> WELL?
>> LEAVE MY HOUSE!
>>
>> LEAVE MY HOUSE!
>> NOT UNTIL I GET A SETTLEMENT.
>> I'LL MAKE A SETTLEMENT WITH
YOU, AND A FINAL SETTLEMENT!
I'LL SHOW YOU!
NOW YOU GET OUT OF MY HOUSE, OR
I'LL SHOOT YOU AND KILL MYSELF!
>> AAAAH!
>> OH!
>> OH! OH! OH!
>> OH! WHY...
WHAT'S HAPPENED?!
>> MRS. LAUREL JUST FAINTED!
>> WELL, DON'T STAND THERE!
>> WHAT WILL I DO?!
>> PUT HER ON THE COUCH!
ON THE COUCH!
OH, POOR THING.
SHE'LL BE ALL RIGHT.
I'M SURE OF IT.
>> OHHHHHHHH!
OHHHH!
>> OH, THIS IS TERRIBLE!
YOU AND MRS. LAUREL HAD BETTER
SPEND THE NIGHT HERE.
I'LL GO AND ARRANGE THE GUEST
ROOM.
>> WHAT'LL WE DO NOW?
>> LET'S GET HER OUT OF HERE
BEFORE MY WIFE COMES BACK!
PUT HER ON MY BACK, AND I'LL
CARRY HER OUT.
>> OLIVER?
>> OHHHHHHHH!
>> WAIT A MINUTE!
>> OLIVER!
>> WE'VE DECIDED TO GO HOME.
GOOD NIGHT.
>> OH-HO-HO-HO-HO!
>>
>> WHERE'S MY HUSBAND?!
>> WELL, WHO ARE YOU?
>> I'M MRS. LAUREL.
>> AHA!
>>
OH, YOU!